Reviews

MARC STAGGERS; Let’s Go Out Tonight (Mar Reg Music)

Thursday, 07 March 2019 13:12 BILL B E-mailPrintPDF

altIn the last few years Marc Staggers has established himself as a proper modern soul contender. If you can remember back to the early years of the new millennium, there was a wonderful soul man called Dennis Taylor. His easy going sound was everywhere and I can remember the top jocks (club and radio) vying with each other to be the first to play his new material. Well, Marc Staggers has won himself a similar status. Quite remarkable really for an artist who began working the circuit as a Luther Vandross soundalike ... and yes, Marc's sound and style is uncannily similar to Luther's but with albums like 'Then And Now' and 'Cruising' he's managed to establish his own credible identity. And as with Dennis Taylor back in the day, the top jocks will now be clamouring to be the first to play cuts off this, his latest long player.

'Let's Go Out Tonight' is a collaborative effort between Marc and brother Reginald and both have tried to take their music to a new level and if you've enjoyed the two singles that have heralded this album, you'll concur that they've succeeded. Both 'I'll Do Anything For You' (a duet with Nia Simmons) and 'Crazy About You Girl' were/are fine examples of the art of modern soul. They tick all the boxes that smooth, sophisticated soul folk demand and they're just two amongst many. On most other albums they would be cherry picked as highlights – released as early singles to tempt investigation of the full album. In truth, any of the set's songs would have served the same purpose. So to some extent singling out tracks as "winners" is something of a redundant exercise... everyone's a winner! Right now, though, we're enjoying the slinky 'If You Love Me Say It' and the sax-led Quiet Storm moment that is 'Bring Your Heart Back To Love'. Like everything on the LP, they're big, full productions and yes, Marc does sound remarkably like dear old Luther but surely that's no bad thing... what a role model for any singer!

Whatever... up top we mentioned Dennis Taylor. Not sure what happened to him... not sure anyone knows, but he's faded and now just a name on some classy old soul. With new music like, though, Marc Staggers is far from fading. His star is shining bright and on this form it's all set to shine for a long time yet!

(BB) 4/5

Last Updated on Thursday, 07 March 2019 14:06

 

TOMMY HUNT; The Complete Man (Kent)

Wednesday, 06 March 2019 20:34 Bill B E-mailPrintPDF

altTommy Hunt (born Charles Wilson in Pittsburgh in 1933) is a proper soul veteran. Sadly, despite almost 60 years in the business and with a fine back catalogue across a raft of labels, Tommy has never quite made soul's Premier League. That said, as is often the way, he's revered by soul connoisseurs and collectors and both groups have been admirably served by UK reissue specialists Ace/Kent.

Back in 1997 Kent issued the Hunt collection, 'The Biggest Man' - ostensibly a "best of" set that included classics like his original version of 'I Just Don't Know What To Do With Myself'. The 29 songs were taken from his time with the Scepter and Dynamo labels and a while back the Ace archivists discovered plenty more Hunt material in the vault – so, here we have a second Tommy Hunt retrospective that collects together the rest of his 60s output for those two labels alongside rarities he cut for Atlantic and Capitol.

The 25 tracker is sub-titled "60s NYC songs" but, oddly, some of the material was actually recorded in Chicago... notably, a brace of Van McCoy songs cut for Atlantic – 'I Don't Want To Lose You' and 'Hold On'. Both are classy Carl Davis "uptown" productions but sadly they failed to sell and Atlantic terminated their contract with Tommy. From there he moved to Capitol where a superb single that paired Jimmy Radcliffe's 'I'll Make You Happy' with a gritty 'The Clown' also failed. All included here.

Most of the cuts, though, come from the singer's time with Scepter and Dynamo and there's plenty of previously unissued stuff to keep collectors happy. Amongst the "new" stuff is a version of the Shirelles' 'What's The Matter Baby' and a Sam Cooke flavoured 'One Of These Days'. Also of note is the included take on Tommy's biggest hit 'Human'. Up till now, it's the 7" single version that's done the rounds; here Kent offer the original LP mix.

As ever with Ace/Kent, the sleeve notes will tell you everything you need to know about a fine soul stylist.

(BB) 4/5

Last Updated on Wednesday, 06 March 2019 20:54

 

ALEXIS EVANS: ‘I’ve Come A Long Way’ (Record Kicks)

Sunday, 03 March 2019 15:39 Bill B E-mailPrintPDF

altOne of 2019's most-talked about singles so far has been 'I Made A Deal With Myself' from French retro soul man ALEXIS EVANS. Based in Bordeaux, Evans discovered soul via his English father and aged just 17 he won the "Cognac Blues Passion" award with his single 'Jumping At The Westside'. He made his full recording debut in 2016 with the LP 'Girl Bait' but it's 'I Made A Deal With Myself' that has ignited interest and the good news is that Alexis has just released the single's parent album and it's stuffed with similar flavours and tunes proving that it's not just fine claret that comes flowing out of Bordeaux.

Young Monsieur Evans makes no secrets about his heroes and influences. High on his list are people like the Meters, Curtis and the Impressions and Bobby Womack and right across the 11 tracker you can hear shades of all three and more besides. Like Womack, Evans is a guitar-toting soul man and all his songs are embellished with thrilling guitar fills.... 'I Made A Deal With Myself' is a good example. The rough and tough, New Orleans funk of the Meters is most apparent on the loose-limbed 'Chocolate Seller' while the most obvious homage to the Impressions come via the wonderful 'I've Come A Long Way', the sweet 'Your Words' and the rougher 'She Took Me Back' .

Elsewhere enjoy plenty of old school, early soul stylings – as on 'How Can I Get Over' while the pace and parping brass on 'It's Not Wrong' would make it a Northern contender if only the Northern fraternity took off their blinkers and embraced contemporary music.

But that's another story for another time. For now I can heartily recommend Alexis Evans and his 'I've Come A Long Way'. It's a wonderful piece of contemporary soul with its roots firmly in soul's golden age. It's also a truly international affair. Recorded in Bordeaux, mixed in Sydney by Dojo Cuts' and The Liberators' leader Nate Goldentone and mastered in LA at Golden Mastering, it proves that soul-wise, globalization really works. The album is out now on CD, download, and –as you'd expect, vinyl.

(BB) 4/5

 

SMOOVE AND TURRELL; Solid Brass (Jalapeno)

Friday, 01 March 2019 16:02 Bill b E-mailPrintPDF

altGeordie collective Smoove and Turrell have been in business now for ten years and what better way to mark the anniversary than with a retrospective... so here it is! 16 of the band's best alongside two brand new tracks... well not quite new. They're in demand recordings that thus far have been hard to find.

The "newies" are a crashing 'Give It Back' and a blistering cover of the Spencer Davis Group's 'I'm a Man'. That latter, I believe, is a Smoove solo recording and pirate copies of the cut have been changing hands for big bucks. Stevie Winwood would, I'm sure, be pleased with the cover!

Fans will welcome familiar numbers like 'Slow Down', 'Beggarman', 'In Deep', 'Have Love' and 'You Could've Been A Lady'... another cover, this time from the back catalogue of Hot Chocolate. All feature the band's signature crashing, relentless electro funk sound and I have to say it was a relief to come to something a little lighter..... 'You're Gone'. With vocals from Izo Fitzroy, this is a proper soul cut that could find favour on the real Northern soul scene if you could just kid the punters about its provenance.

If you're a fan you'll also know that the band are touring this album throughout 2019 and for vinyl freaks the collection comes in a nifty double LP gatefold edition .... Limited numbers however!

(BB) 3/5

Last Updated on Friday, 01 March 2019 16:09

 

KARIN KROG & GEORGIE FAME; “On A Misty Night” (Odin Records)

Saturday, 23 February 2019 15:57 Bill B E-mailPrintPDF

altJazz connoisseurs know all about the magic of Cleveland born pianist, composer and arranger Tadd Dameron, best known perhaps for his tune 'On A Misty Night'. One of Dameron's biggest advocates is national treasure George Fame. Georgie has recorded 'Misty Night' on at least two occasions and regularly features it in his live shows, so when he was invited to join a musical tribute to Dameron, he jumped at the chance.

The invite came via Norwegian jazz pianist Per Husby who was persuaded by jazz chanteuse Karin Krog to investigate the oft-neglected work of Dameron. This was back in 1983 when Husby and Krog recorded four Dameron songs that, sadly, were never released at the time. The duo presented the songs at the Molde Jazz Festival in 1984 and despite a tape running, the live recording was deemed poor quality and never issued. Then '85 a CD, 'Dedications', was finally released by Hot Club Records. By this time George Fame had come on board after Husby had asked him to add lyrics to a number of the tunes and the album eventually won a Norwegian Grammy.

In 1996 the Husby/Krog pairing was resurrected by record label owner Bjørn Petersen who had the team record more Dameron songs in New York but after a "soft" and critically acclaimed release the project floundered.

Ms Krog, though, is nothing if not dogged and last year managed to persuade Odin Records that there was just too much good music in the can to lay unappreciated. So the label team put together this "new" Todd Dameron tribute album which contains recordings from 1984, '85 and '96.

The album is named for Dameron's best-known song and this 7 minute plus version of 'On A Misty Night' opens proceedings. On it Fame and Krog share the vocal as they do on other Dameron classics like the sprightly 'Dig It', 'That's The Way it Goes' and the clever medley of 'Good Bait' and 'Ladybird'. Georgie's out on his own on 'Accentuate The Bass' while Ms Krog enjoys five solos including the surprising 'I'm Never Happy Anymore'. She also features on the medley of 'Fontainebleau'/'Trane' and 'That's The Way It Goes'. Both those tracks, from the live Molde Jazz Festival recording, have never been issued in any format before.

It all sounds very confusing, doesn't it? At last, though, more jazz fans can enjoy more of the artistry of Georgie Fame and Karin Krog, the arranging skills of Per Husby and, above all, the wonderful tunes of Tadd Dameron.

(BB) 3/5

Last Updated on Sunday, 24 February 2019 07:56

 

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