Theo Croker is talking to SJF while in a cab on his way to the airport. The 30-year-old trumpeter is shortly to catch a plane back home to the USA after a whirlwind press tour of Europe. After press junkets on the continent, he's been in central London - where he was interviewed by Gilles Peterson for the broadcaster's BBC6 radio show - doing promotion for his new album, 'Escape Velocity,' which has been earning good reviews on both sides of the Atlantic.
Along with Robert Glasper, Kamasi Washington, Christian Scott, Terrace Martin and others, Florida-born Croker - whose grandfather was the legendary New Orleans-style horn-blower, Doc Cheatham - is a leading light in a new wave of American jazz that is attracting younger listeners and blurring the boundaries between itself and other genres. There's a deep spiritual vibe to Croker's music plus plenty of soulfulness and traces of hip-hop too.
Croker, who studied at the world-renowned Oberlin College in Ohio under such illustrious tutors such as the late Donald Byrd, Marcus Belgrave and Gary Bartz - all legendary names in the jazz field - went on to hone his skills in Shanghai, of all places, where he worked as a jobbing musician for several years. After a couple of indie albums, Croker caught the attention of singer, Dee Dee Bridgewater, who was impressed by the young man with a horn and promptly signed him to her own imprint, DDB Records, via Sony's reactivated Okeh label.
His debut for Dee Dee's company was 2014's 'Afro Physicist,' a promising platter that proved the launch pad for this year's 'Escape Velocity,' which looks likely to put the Leesburg native into a whole new orbit. Here he shares his thoughts on his new album, the state of jazz, working with Dee Dee Bridgewater, and his experiences living and working in China to SJF's Charles Waring...
Last Updated on Tuesday, 14 June 2016 07:03